perceptual art is the type of art that can stimulate eyes of an obsever to see things or images in different ways
CONCEPTUAL ART:
conceptual art is the type of art which intends to convey an idea or concept to the perceiver
CONCEPTUAL ART:
onceptual art is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. Many of the works, sometimes called installations, of the artist Sol LeWitt may be constructed by anyone simply by following a set of written instructions.[1] This method was fundamental to LeWitt's definition of Conceptual art, one of the first to appear in print:
In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
An important difference between conceptual art and more "traditional" forms of art-making goes to the question of artistic skill. Although it is often the case that skill in the handling of traditional media plays little role in conceptual art, it is difficult to argue that no skill is required to make conceptual works, or that skill is always absent from them. John Baldessari, for instance, has presented realist pictures that he commissioned professional sign-writers to paint; and many conceptual performance artists (e.g. Stelarc, Marina Abramovic) are technically accomplished performers and skilled manipulators of their own bodies. It is thus not so much an absence of skill or hostility toward tradition that defines conceptual art as an evident disregard for conventional, modern notions of authorial presence and individual artistic expression (or genius).
]Example:the concerptual art by robert rauschenbe
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In 1951 Rauschenberg created his "White Paintings," in the tradition of monochromatic painting, whose purpose was to reduce painting to its most essential nature, and to subsequently lead to the possibility of pure experience.[29] The "White Paintings" were shown at Eleanor Ward's Stable Gallery in New York during October 1953. They appear at first to be essentially blank, white canvas. However, one commentator said that "…rather than thinking of them as destructive reductions, it might be more productive to see them, as John Cage did, as hypersensitive screens – what Cage suggestively described as ‘airports of the lights, shadows and particles.’ In front of them, the smallest adjustments in lighting and atmosphere might be registered on their surface.[30]Rauschenberg himself said that they were affected by ambient conditions, "so you could almost tell how many people are in the room." The Black Paintingsof 1951 like the White Paintings were executed on multiple panels and were single colour works. Here Rauschenberg incorporated pieces of newspaper into the painting working the paper into the paint so that sometimes newspaper could be seen and in other places could not. By 1953-1954 Rauschenberg had moved from the monochromatic paintings of the White Painting and Black Painting series, to the Red Painting series. These paintings were created with diverse kinds of paint applications of red paint, and with the addition of materials such as wood, nails, newsprint and other materials to the canvas created complex painting surfaces, and were forerunners of Rauschenberg's well-known Combine series.[29]
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CUBISM:Cubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting andsculpture, and inspired related movements in music, literature and architecture. In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Often the surfaces intersect at seemingly random angles, removing a coherent sense of depth. The background and object planes interpenetrate one another to create the shallow ambiguous space, one of cubism's distinct characteristics.
types of cubism
Analytic cubism
The invention of Cubism was a joint effort between Pablo Picasso and Braque, then residents of Montmartre, Paris. These artists were the movement's main innovators. A later active participant wasJuan Gris. After meeting in 1907 Braque and Picasso in particular began working on the development of Cubism. Picasso was initially the force and influence that persuaded Braque by 1908 to move away from Fauvism. The two artists began working closely together in late 1908–early 1909 until the outbreak of World War I in 1914. The movement spread quickly throughout Paris and Europe.
French art critic Louis Vauxcelles first used the term "cubism", or "bizarre cubiques", in 1908 after seeing a picture by Braque. He described it as "full of little cubes", after which the term quickly gained wide use although the two creators did not initially adopt it. Art historian Ernst Gombrich described cubism as "the most radical attempt to stamp out ambiguity and to enforce one reading of the picture that of man made construction a coloured cavans.
reference: by John Richard
Sir John Patrick Richardson, KBE (born 1924 in London) is a British art historian and Picasso biographer.
Richardson was born as the elder son of Sir Wodehouse Richardson, D.S.O., K.C.B., Quarter-Master General in the Boer War, and founder of London and the British Empire's Army & Navy Stores.[1]Initially, he wanted to become an artist;[2] he met and made friends with Francis Bacon[3][4][5] and Lucian Freud,[6] both of whom portrayed him later.[7] A month short of seventeen, he enrolled at theSlade School of Fine Art, was called up, but soon fell ill and spent the rest of the war with his mother and siblings in London.[8] During daytime, he worked as an industrial designer before becoming a reviewer for The New Observer.[9] In 1950, he became acquainted with art historian and collector Douglas Cooper, sharing his life for the next 10 years.
elements of design
shapes are easily understood by obsever
colour used are different
texture is always smooth
value the picture are of different colours some dark and others light
Principle of design:
It is well balanced
repeatition is rarely
unity
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